>> Sunday, October 04, 2009
Remember when An American Carol inspired conservatives to shout that its inevitable success would prove that Americans wanted patriotic films that mock liberals more than dour, realistic films about the realities on the ground in Iraq? I certainly do. "[I]t'll change everything," said one of its stars, Kelsey Grammer. Reiterating a prediction she made two weeks earlier, someone named Erin said "An American Carol will be a success at the box office, because the American people are sick of the Damons and Afflecks."
And succeed it did: after a concerted effort by the conservative media to let the market's invisible hand work its magic, An American Carol took it in $3,656,000 in its first weekend, and was declared a success because it barely grossed more than Religulous despite being screened in a mere 1,137 more theaters nationwide. Using the same standards by which An American Carol was deemed a success, John Nolte gloats that Americans voted with their wallets and declared Michael Moore's new film a failure:
[T]he biggest disappointment of the weekend is Michael Moore’s Capitalism: A Love Story (Overture). After a $57K per theatre average on 4 screens last weekend, the picture broke to a wider 962 locations with terrible results. The "documentary" only sold an estimated $1.3M in tickets to start the weekend, and it will finish at about $3.9M for a PTA of less than $4,000. That soft opening will almost certainly make Capitalism Moore’s weakest-grossing movie since 2002’s Bowling for Columbine ($21.5M domestic gross).
Did I say the same standards? Because this chart I carved by hand from the finest quality HTML (and Blogger promptly rejected) would seem to indicate otherwise:
I suppose numbers also have a liberal bias?